Abstract

This article shows that the generic hybridity perceived and proven in the text of Nora Sari was an effect of the stakes of various tendencies of the context of production in the choice of the subject to treat: on one hand, the life of the family and the self-story of the main character of the novel; on the other hand, the historical context prevailing during the period concerning this slice of life. This hybridity reveals a concern for posture in line with the discourses and orientations of the social and literary field within which the novelist seeks to inscribe her place. It also shows a desire to overcome a deep split in the issue of languages ​​in this same field.

Keywords: Fictional autobiography; Story; generic hybridity; scenography; self-image; posture; positioning